With private jets filling the air and lines of luxury limousines on the ready, deep-pocketed collectors from around the world flocked to Switzerland last week for Art Basel, the biggest contemporary art fair on the planet.
The 44th edition of the show opened to the public on June 19, but the doors were nudged open already two days before on Tuesday for special VIPs wanting an advance peek at the wide range of artwork displayed across a whopping 31,000 square metres (334,000 square feet) of exhibition space.
On Wednesday, an estimated 110 private jets landed and took off from the Basel-Mulhouse airport, after 83 flew through there on Tuesday despite a strike that reduced the airport’s capacity and forced some wealthy patrons of the arts to change their travel plans.
It was important to be among the first to squeeze through the doors, Annka Kultys, a Swiss art collector based in London, said.
“The rule in Basel is that you cannot put (artwork) on hold before the art fair, so we need to be here the first day, and just run to the booths that we are interested in,” she said.
“I know exactly where I want to go when I come here, which gallery I want to see, which artist,” she added.
Some 65,000 visitors were expected to come to Art Basel this year to see exhibits by 304 galleries, picked from more than 1,000 that vied for a spot at the lucrative fair.
“There’s been a buzz immediately,” Tim Marlow, director of exhibitions at the London-based White Cube Gallery said, just a few hours after the buying frenzy began.
“We’ve sold two Sergei Jensen paintings, a Tracey Emin, we sold this Mark Bradford work for $725,000,” he said, pointing to the large abstract canvas behind him.
“And there is serious interest in the Damien Hirst pill cabinet, at four million pounds,” he added with a broad smile, nodding to a large mirror wall lined with tightly spaced, narrow metal shelves covered with pills in different colours and shapes.
Art Basel’s impact on a gallery’s bottom line does not stop with what is sold at the fair, he said.
“It’s about connections made and clients made, and museums. A lot of museums come... and then conversations are hatched, work is bought... exhibitions are planned.”
The art world appears to have bucked the global economic crisis, with income from global auction sales more than doubling since it hit bottom in 2009, passing eight billion euros last year, according to French specialised website Artprice.com.
“I think the art market is actually in a very strong position,” Art Basel director Marc Spiegler said.
Case in point: a few hours after the opening Tuesday he said he was noticing “a lot of frustration among collectors because the things that they want to buy are already sold”.
Amid all the stock market turmoil in recent years, the world’s wealthy are increasingly turning to art as a good and safe investment, experts say.
“I reckon that in the next 10 years we’ll see the market going from about five per cent of the world’s rich having art to around 40 per cent,” said Philip Hoffman, the head of the Fine Art Fund Group, which advises wealthy clients on what pieces to add to their collections.
But Art Basel is not only about investment; it is also about the enjoyment of seeing a wide range of work by the great artists of the 20th century, such as Picasso, Kandinsky and Warhol, mixed in with the cutting edge of today, Spiegler said.
For those more interested in looking than buying, a whole hall has been reserved for the “Unlimited” collection of large and sometimes astonishing works that are not for sale at the fair.
Unlike in the crowded section next door, there is plenty of space to stroll through the 11,500-square-metre exhibit, admiring works by Chinese dissident artist Ai Weiwei, British sculptor Antony Gormley, and Japanese Chiharu Shiota, who has covered chairs and a grand piano in a massive web of black string.