Moushumi Sharma

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Stepping into invisible reality

Only when the last tree has been cut down Only when the last, river has been poisoned,
Only when the last mountain has been mined,
Only when the last person has moved to the city,

Unfolding Kashmir’s charm, magic of tantra

In the first-ever retrospective of one of India’s most iconic artists, Delhi Art Gallery (DAG) has ushered in the New Year with a seminal exhibition featuring the works of National Award and Sahitya A

A colourful dance of ancient words comes to light

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Poet and renowned typographer Robert Bringhurst, in his book, The Elements of Typographic Style, said, “Calligraphy is the dance in the tiny stage of the living, breathing hand.” If we go by this definition, artist Salva Rasool has set the perfect stage for a colourful dance of the Arabic alphabets.

Walking through the doors of change

Style — the trademark of an artist. For some, it is to reflect the richness of life, for others, to evolve as a better person.

Romancing the ancient deities

Those who have always wanted to enjoy early Indian art but never got the opportunity now have a chance to delight in the works of 75 artists spread over two centuries in Delhi Art Gallery’s (DAG) ongo

Brewing art in potpourri of Asian culture

Fifteen works from artists of the Asia Pacific Region are currently on display at the Singapore Art Museum (SAM).

Artists narrate tale of two rivers

Delhi is all set to witness the coming together of passionate environmentalists and artists, who are putting up a combined effort to save and create awareness about the city’s most revered and equally

Artists narrate tale of two rivers

Delhi is all set to witness the coming together of passionate environmentalists and artists, who are putting up a combined effort to save and create awareness about the city’s most revered and equally

Celebrating womanhood with a brush’s stroke

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Wendy Shalit, in A Return to Modesty: Discovering the Lost Virtue, says, “Modesty answers not the crude how of femininity, but the beautiful why.” Exploring sensitive issues like modesty and femininity can be as complex as intriguing. But for someone as Gogi Saroj Pal, who considers art as her religion, adding a touch of reality to feminism with the stroke of a brush is just a way of life.

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I want to begin with a little story that was told to me by a leading executive at Aptech. He was exercising in a gym with a lot of younger people.

Shekhar Kapur’s Bandit Queen didn’t make the cut. Neither did Shaji Karun’s Piravi, which bagged 31 international awards.