The call of the flute
At 75, he has no tantrums or starry air. Dressed in a blue kurta and armed with a calm demeanour, Padma Vibhushan and master flautist Pandit Hariprasad Chaurasia is a lesson in modesty. As the documentary, Bansuri Guru, made on his illustrious life journey by his son, Rajeev Chaurasia released recently; we talk to the legendary musician about his love for music, struggle and younger generation of classical musicians.
Three years ago, when the Film Division of Ministry of Information and Broadcasting was looking for someone to direct a documentary on Panditji, numerous directors were approached. Finally, Rajeev Chaurasia, the son of the legendary flautist, decided to take charge of the project himself. Being the co-founder and director of a broadcasting company in Mumbai, it was not just an emotionally triggered decision but a rather practical one. Who would understand him more than his son, who has observed him from close quarters? But the beautiful journey that unfolded after that was not without its tough moments.
“Trying to tell a story of a great man, a legend, who also happens to be your father was a journey of discovery, turmoil and fulfillment,” says Rajeev. Talking about his humble background, Panditji says, “One should never forget one’s roots. I have struggled to attain recognition and there were days when I went without food. My wife often cried that I couldn’t give her much time. But I had no choice but to struggle hard. I was not born in a famous family.”
Not many know that he was initially a wrestler and worked as a stenographer, before getting attracted to the world of music and flute.
Flute is an ancient instrument which has its origin in mythology, as Lord Krishna’s favourite music instrument. One can’t miss the sparkle in his eyes as he talks about it. “Flute is a simple bamboo instrument which does not involve much complexity. It is also very sacred, as it comes from nature, with no artificial additions. I believe it is only possible because it has divine blessings from the Lord,” he says.
Panditji teaches music to students in his gurukul-like school in Mumbai, and admires the younger generation’s interest in classical music. “They are very keen learners. There is so much awareness and exposure around. Parents encourage kids to take up music and there is respect for talent. I love teaching my young pupils,” smiles Panditji.
The master flautist is known for being a traditionalist who constantly innovates. He has played with international musicians like George Harrison, Jan Garberek and Jean McLaughlin. Does he enjoy fusion? “For me, it is all about music. Just like we all have emotions and use various languages to communicate. Similarly, music has different languages but same bhaav. There is no ‘pure form’ of music. Music in itself is pure,” says he.
Talking about the film and his son taking up the directorial baton, he says, “I would not like to say much as I would like people to watch the film. Just that, since he has observed me from birth, I believe my son knows my strengths and weaknesses. So people will get a different insight into my life.”
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