Watch your mouth

A recent Bollywood film was feted, along with its cinematic accomplishments, for its extensive and unabashed use of abusive words and bad language.

There were many who found this cathartic, refreshing, even liberating. In a sense, the said film is a reflection of the reality. We have to keep our ears open to realise the prevalence of abusive language, and perhaps many of us have used it ourselves. Cuss words have become so endemic to our society’s vocabulary that at times they seem to be used as commas and full stops, even as endearments among friends.
On the spiritual path, one of the first, and perhaps the most important, qualities we attempt to cultivate is mindfulness. The process of doing it occurs at multiple levels. Perhaps, in the beginning, mindfulness is restricted to the time we spend meditating, or chanting a mantra, or doing whatever our core practice is. Gradually, like a drop of paint infusing a bowl of water, the rest of our life cannot but become tinged with this quality of wakefulness, awareness and attentiveness.
It is said that karma begins in the seed of the thought, and it is at this innermost level that mindfulness must become established and operational. When this happens, we realise that it is really an integrated quality — we cannot be mindful of our breath or emotions, for instance, without also becoming aware of our behaviour, language and conduct. Like the operating system in a computer, mindfulness comes to determine our entire experience of the process of living.
Which is why when we speak words that evoke crude sexuality casually, out of habit, or in frustration, it belies a painful lack of mindfulness. Not merely of social propriety, but a dimension of life that might not be apparent usually, but which thrums just beneath its surface and powers it — the unstruck note upon which the melody of life is hinged, and which, when disregarded, leads to inner discordance and disharmony.
The use of abusive language, therefore, might not just be a benign bad habit that we know is “not nice” but never get around to actually kicking. It indicates an ignorance of the sacredness of the “word”, inherent in both its meaning and its sound.
In most wisdom traditions of the world, the word is venerated, perhaps because it is the most effective way in which human beings communicate with each other. The word is also the vehicle for the teachings of truth, imparted by prophets, seers and saints over millennia and recorded in scriptures and texts. The word is worshipped, quite literally, in several traditions where a holy book is placed at the centre of the seeker’s universe, because it contains revealed wisdom thought to be channelled from a divine source, or which is the fruit of a seer’s own spiritual odyssey.
In Indic wisdom traditions, the intriguing concept of Nadabrahman goes a step further and equates sound with the Supreme Entity. If one translates “Brahman” as the underlying matrix of life, the ground of reality, then Nadabrahman could be understood as sound as an expression of that reality and also as a possible means of experiencing it.
One way of doing this is through a conscious chanting of mantras, which are collections of not just invocatory words but have woven into them specific seed (beej) sounds. These, like Om, hreem, shreem, phat, and so on, are thought to contain within them, like seeds, the potential of creating specific vibrations within and around the chanter. In tantric practice, they are used to invoke and energise the human body, comprising chakras, nadis and the kundalini.
In fact, mantra recitation has been seen as a credible spiritual path on its own, called mantra yoga or mantra sadhana. The fact that most teachers might prescribe mantras in conjunction with other practices to evolve a balanced path for the seeker in no way detracts from their transformative effect, both vibrationally and as tools that aid an experience of truth.
An engaging example of the effect of unceasing mantra recitation unfolds in the 19th century mystical Russian story The Way of a Pilgrim. In it, the narrator is so moved by the words “pray without ceasing” that he decides to do precisely that and begins to recite a simple Jesus’ prayer in the manner of a mantra, turning it upon his in-breath and out-breath. His fascinating pilgrimage is towards a continuity of attention, and he feels transformed both by the prayer and by the unbroken awareness that develops as a result.
A modern-day twist to mantra yoga, in my view, lies in “affirmations”. Affirmations attempt to create, mindfully, personal scripts that are positive in nature and affirm wholesome emotions which are repeated through the day to bring oneself to equanimity and well-being. In doing so, affirmations attempt to harness the energy of the word to create a fulfilling experience of life.
For me, this is the use of language that is truly empowering and liberating. So, the next time the urge to cuss comes up, I hope you will just say Om.

— Swati Chopra is the author of Women Awakened: Stories of Contemporary Spirituality in India, Buddhism: On the Path to Nirvana and Dharamsala Diaries. She can be contacted at

Post new comment

<form action="/comment/reply/86765" accept-charset="UTF-8" method="post" id="comment-form"> <div><div class="form-item" id="edit-name-wrapper"> <label for="edit-name">Your name: <span class="form-required" title="This field is required.">*</span></label> <input type="text" maxlength="60" name="name" id="edit-name" size="30" value="Reader" class="form-text required" /> </div> <div class="form-item" id="edit-mail-wrapper"> <label for="edit-mail">E-Mail Address: <span class="form-required" title="This field is required.">*</span></label> <input type="text" maxlength="64" name="mail" id="edit-mail" size="30" value="" class="form-text required" /> <div class="description">The content of this field is kept private and will not be shown publicly.</div> </div> <div class="form-item" id="edit-comment-wrapper"> <label for="edit-comment">Comment: <span class="form-required" title="This field is required.">*</span></label> <textarea cols="60" rows="15" name="comment" id="edit-comment" class="form-textarea resizable required"></textarea> </div> <fieldset class=" collapsible collapsed"><legend>Input format</legend><div class="form-item" id="edit-format-1-wrapper"> <label class="option" for="edit-format-1"><input type="radio" id="edit-format-1" name="format" value="1" class="form-radio" /> Filtered HTML</label> <div class="description"><ul class="tips"><li>Web page addresses and e-mail addresses turn into links automatically.</li><li>Allowed HTML tags: &lt;a&gt; &lt;em&gt; &lt;strong&gt; &lt;cite&gt; &lt;code&gt; &lt;ul&gt; &lt;ol&gt; &lt;li&gt; &lt;dl&gt; &lt;dt&gt; &lt;dd&gt;</li><li>Lines and paragraphs break automatically.</li></ul></div> </div> <div class="form-item" id="edit-format-2-wrapper"> <label class="option" for="edit-format-2"><input type="radio" id="edit-format-2" name="format" value="2" checked="checked" class="form-radio" /> Full HTML</label> <div class="description"><ul class="tips"><li>Web page addresses and e-mail addresses turn into links automatically.</li><li>Lines and paragraphs break automatically.</li></ul></div> </div> </fieldset> <input type="hidden" name="form_build_id" id="form-bddd27926f6d2a4850902b3a7c3e8a58" value="form-bddd27926f6d2a4850902b3a7c3e8a58" /> <input type="hidden" name="form_id" id="edit-comment-form" value="comment_form" /> <fieldset class="captcha"><legend>CAPTCHA</legend><div class="description">This question is for testing whether you are a human visitor and to prevent automated spam submissions.</div><input type="hidden" name="captcha_sid" id="edit-captcha-sid" value="81575580" /> <input type="hidden" name="captcha_response" id="edit-captcha-response" value="NLPCaptcha" /> <div class="form-item"> <div id="nlpcaptcha_ajax_api_container"><script type="text/javascript"> var NLPOptions = {key:'c4823cf77a2526b0fba265e2af75c1b5'};</script><script type="text/javascript" src="" ></script></div> </div> </fieldset> <span class="btn-left"><span class="btn-right"><input type="submit" name="op" id="edit-submit" value="Save" class="form-submit" /></span></span> </div></form>

No Articles Found

No Articles Found

No Articles Found

I want to begin with a little story that was told to me by a leading executive at Aptech. He was exercising in a gym with a lot of younger people.

Shekhar Kapur’s Bandit Queen didn’t make the cut. Neither did Shaji Karun’s Piravi, which bagged 31 international awards.