Danish film blows away Cannes

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Actor Mads Mikkelsen poses during the photocall of Jagten (The Hunt) in Cannes on Sunday. — AFP

The Hunt, a taut psychological thriller starring Danish heart-throb Mads Mikkelsen as a man falsely accused of molesting a child, emerged on Sunday as a hot contender at Cannes.
With a controversial take on an intensely emotional issue, director Thomas Vinterberg returned to cinema’s top international showcase 14 years after scooping up the Grand Prix runner-up prize with Festen (The Celebration).
The new picture, which was enthusiastically applauded at preview screenings for critics ahead of its red-carpet premiere, presents Lucas, a divorced father of a teenage boy who is working at a creche.
A young girl, the daughter of Lucas’ best friend, develops a crush on him while in his care and when he gently explains the boundaries of their friendship, she begins to pout.
Later, she tells the creche director that she doesn’t like Lucas anymore and claims that she has seen his genitals — an accusation she later tries to retract but only after suspicion has spiralled out of control.
A witch-hunt ensues against Lucas, a hobby marksman, and as the mass hysteria takes hold, his life crumbles around him and he loses his job, his new lover, life-long friends and, potentially, access to his beloved son.
Only the son and a close old friend stand by him as the community descends into paranoia and other children, getting swept up in the frenzy, accuse Lucas of molesting them as well.
Mikkelsen, known to international audiences as Le Chiffre in Casino Roy-ale and now starring in the Scandinavian blockbuster A Royal Affair, said the material required a delicate touch. “We know for sure that way too many kids are being abused out there. We know that, we’re not questioning that,” he told reporters. “But for us it was very much about when you love something as much as you can love a child, that love can turn into fear when something happens or might happen. And society... Can implode with this fear.” Vinterberg said he had dealt with the subject of adult survivors of child abuse in Festen and had now flipped the story to explore how fast a rumour can become fact due to now heightened sensitivity to the issue.