DR SEEMA BAWA

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The power of form

Alluding to his show of 17copper sculptures and an installation works ‘Through the Looking Glass’ curated by Elizabeth Rogers; Karachi-based artist Amin Gulgee, says ‘When I enter my workshop it is

The power of form

Alluding to his show of 17copper sculptures and an installation works ‘Through the Looking Glass’ curated by Elizabeth Rogers; Karachi-based artist Amin Gulgee, says ‘When I enter my workshop it is

Urban-rural juxtaposition

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There is a rising restlessness and anxiety amongst the intellectual chatterati about fractured identities within urban and rural ‘Indias’, emphasising the economic divide rather than the cultural plur

Tangible and intangible

Acrylic on canvas

At a recent show Marks and Markers by Samindranath Majumdar at Gallerie Ganesha, the artist uses acrylic on silk on board and canvas to map out his tangible and intangible memories. One such large work is The Turn, that shows a lonely road with a curve in it turn on it, but which is going nowhere, merging into the landscape.

Making sense of tech-scrap

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One usually associates the intention of any art produced with the intention of being exhibited in a gallery, museum and public space such as a mall or a street.

From the mind of young artists

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Kosh, a group show by four fledging artists Subhashis Dutta, Priyanka Batra, Somnath Raha and Chinmoy Goswami at India Habitat Centre gives us an insight into the creative trajectory of young artist b

Victorian pastoral bliss

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There is something to be said for Victorian plant and garden paintings done by young women and memsahibs along with learning pianoforte as the show by Suddhasattwa Basu and Mala Marwah at Gallerie Esp

Alien faces & Latin logos

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The FMG group of instuitions held its first Annual art exhibition recently, with a concomitant competition in which six awardees were chosen for Golden Pigeon awards from 400 entries.

Public art needs help

Dandi March as Gyarah Murti in Delhi

Statues of men in medieval armour on horseback, Rani Lakshmi Bai, sundry national leaders as per the region and community preference at various corners and roundabouts are what pass for public art in India. Some of this statuary is actually well executed but for the rest it is ghastly and disproportionate, being more of an eyesore rather than any reminder of artistic endeavour.

Video archives to document art

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Recently there has been a spate of short films and interactive video recording of artists, especially younger artists who are making a mark in the art world. One such series was done by Kathryn Myers, Professor of Art at an American University who initiated what has become an extensive and on-going series of videotaped interviews with over sixty artists from various regions of India including Arpita Singh, Ravi Aggarwal and Waswo.

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I want to begin with a little story that was told to me by a leading executive at Aptech. He was exercising in a gym with a lot of younger people.

Shekhar Kapur’s Bandit Queen didn’t make the cut. Neither did Shaji Karun’s Piravi, which bagged 31 international awards.