Ipsitaa Panigrahi(Age Correspondent)

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Aesthetics of dance and poems

Poets and dancers have the commonality of exploring an idea in probably the most imaginative process than in any other field of arts.

Eco-friendly diwali

Diwali, the festival of lights and goodwill goes much beyond the rich celebrations it is normally associated with.

Anatomy of expression

Dance and temples have an undefined bond; the aesthetic commonalities between temple architecture and the architectures of Indian dance are many.

Web television for youngsters

The ubiquitous presence of Internet in our lives has now moved onto bringing television live to our mobile phones and much more than that.

Update identity to stay connected

In a recent ruling passed by the Central Government one is likely to face deactivation of caller identification services unless they submit their identity proof to their respective telecom service pro

Fashionably wiser now onwards

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Sense of style is often ruled by the designer labels you wear these days. And fashion has taken an altogether different meaning in a world of labels.

Fuelling young minds with e-learning techniques

Technology with its ubiquitous presence has definitely improved human lives for the better, if we say so, apart from the share of worries it provides.

Online life turns stressful

Reams have been written about the ill effects of today’s teens spending too much time online, and if a recent study is to be believed, then one can add anxiety and depression to this long list.

Fest to raise toast to experimental theatre

It’s not very often that you get to see katta (a Marathi slang which loosely translates into English as a place to sit and waste away time): lively debate and discussion sessions with theatre experts

Lending a helping hand

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Doing your bit for the society has been quite the buzz around teens these days.

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I want to begin with a little story that was told to me by a leading executive at Aptech. He was exercising in a gym with a lot of younger people.

Shekhar Kapur’s Bandit Queen didn’t make the cut. Neither did Shaji Karun’s Piravi, which bagged 31 international awards.