Cinema Paradiso

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What’s the story?

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Original stories seem to be ignored like the plague in movieland. It’s always nice to have a Hollywood inspiration
Normally, I don’t dip into quotations and proverbs. Except while ticking off badly behaved children. But something was bugging me of late. And a chance discovery of a series of articles by a heavy-duty American screenwriter sorted out my bugaboo.

How brain boggling!

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Here are examples of scenes and scripts lacking logic in the movies
While watching the movies, I’ve been zapped by certain baffling, puzzling, brain-busting elements. Here’s sharing some of the brain bogglers:

The ‘South’ story

In Aiyyaa, Prithviraj enacted a near-lifeless, wordless  wonder, while Rani did all the yakety-yaking

Listen, I’m sure that actors from what is termed as “the South” in journalese, are distinctly audience-friendly. It’s just that they elect to debut, on the Bollywood front, in projects which give them short shrift. Self-publicity — a necessary evil — is also conspicuous by its absence.

Comeback wish-list

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o two or three ways about it. You must have been meditating in the Himalayas, luxuriating in a Mumbai ocean resort, or hiding under the Hyderabad boulders, if you didn’t know that yesteryear’s Chandni has made a comeback.

Very baffling all this

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Since time immemorial — and I can say that since I’ve been reporting on and reviewing films since I was in my diapers — there are severe misconceptions about what Bolly-journo’s life and times. And they haven’t altered right from the era of Amitabh Bachchan (which is when I entered the sin... scene), then on to the Khans (now that’s another story) to the jalebi-barfi ambience of Ranbir Kapoor today. So, here are 10 myths about the movie-journo tribe which keep setting my teeth on edge:

Senseless restriction

Statutory warning: This is not a case for or against cigarette smoking. It’s just that I can’t figure out what the fuss is all about, and it’s been going on ever since former minister Anbumani Ramadoss got a bidi in his bonnet about the on-screen display of tobacco consumption.

Salaam Dilip Saab!

So Ahana, the chirpy teenaged girl-next-door, doesn’t know who on earth Dilip Kumar is. “Who’s he?” the B-wood movie addict asked. “Some newcomer or what?”

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I want to begin with a little story that was told to me by a leading executive at Aptech. He was exercising in a gym with a lot of younger people.

Shekhar Kapur’s Bandit Queen didn’t make the cut. Neither did Shaji Karun’s Piravi, which bagged 31 international awards.