Kyun, aakhir kyun did Swami Agnivesh go on to Bigg Boss (Colors), even if it was sirf for do din? Was it because he wanted to salvage his dwindling image after that video drama where he was spreading the nasties about Anna Hazare & Company? Was it because Team Anna has since been pakki-kutthi with him and kept him away from all media appearances? Does he have Bollywood dreams? Or is it because of Bigg Boss5’s sad, sad TRPs?

Yeh jo life hai na life, it’s very, very short. And when, in this short life, koi aise cheez aati hai jo dil ko touch kar jaye, it becomes BPHD — Bahut Pyaari, Hamari Dulari. And that is why when someone messes around with our BPHDs, they cannot escape Bhagwan and TRPs ka prakop.

Mod (A turn) is a bedtime fairytale about a lonely but golden girl who fixes stuff. She mends watches, her drunk father’s life and, eventually, a broken man's heart and mind.

Can archetypal cinema commute from its native land to wherever it pleases and become progeny of its adopted world? Few can, most can’t.

Shakti Kapoor ne apni life mein koi chota-mota punya toh kiya hi hoga that he has found swarg on dharti itself. Otherwise why would anyone pay him to stay locked up in a house with 13 girls. I mean, hello!

Itne papad bele hain janeman tere pyaar mein, ke mere hi papad ke thele hain sare bazaar mein.

Kuch log KBC (Sony) paise kamane ke liye watch karte hain, kuch apni GK ko test karne ke liye, kuch entertainment ke liye. Not me. Na. Main toh unke deedar ki pyaasi hoon.

Jaise saas bina sasural nahin, Madhuri bina choli mein excitement nahin, Dhanno bina Basanti nahin, waise hi naache bina moksh nahin. Hamare Bharat desh mein no matter which festival we celebrate, what the happy occasion may be, boy ka birth ho ya girl ki wedding, no suhani sham is complete without serious sangeet and dance.

Idhar, Bade Achche Lagte Hain (Sony) par, Priya aur Ram Kapoor ka love blossom kar raha hai, but udhar, Colors par, married couples k

Anurag Kashyap’s That Girl in Yellow Boots is a twisted tale served with such incredible subtlety, skill and cunning that long after it is over, it follows you. Impressive faces and stunning scenes linger, and Kalki Koechlin’s hands keep moving, bothering.